Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

Internationally Sweden is seen as a perfect society, a role model and a symbol of the highest achievements of human progress. The Swedish Theory of Love digs into the true nature of Swedish lifestyle, explores the existential black holes of a society that has created the most autonomous people in the world.

Internationally Sweden is seen as a perfect society, a role model and a symbol of the highest achievements of human progress. The Swedish Theory of Love digs into the true nature of Swedish lifestyle, explores the existential black holes of a society that has created the most autonomous people in the world.

一直无法忘却旧爱的郑雨盛面对新恋情犹豫不决，而被爱着郑雨盛的申敏儿深深吸引的苏志燮却却只能远远注视着她．．．

一直无法忘却旧爱的郑雨盛面对新恋情犹豫不决，而被爱着郑雨盛的申敏儿深深吸引的苏志燮却却只能远远注视着她．．．

艾若曼自身条件优越，一直奋斗自强、奋勇向前，是都市独立新女性的典范。然而，她却一直不招男性喜欢，还被前男友评价为没人敢爱。鹿飞性格温柔随和、与人为善，追求随遇而安，只想做个 60 分的普通人。他热爱烹饪、打扫，钟情花草，是居家好伴侣，异性缘很好，但恋爱经历神秘空白，甚至对婚姻心怀恐惧。他们都是在大都市中努力奋斗的三十岁单身男女。他们不愿在三十岁就被认为美好时光已逝，都在努力让自己变得更好，开启精彩人生。而相识十五年间，他们在兜兜转转的友情之后，才发现彼此的深情，也在成为更优秀的自己后，最终收获了属于自己的爱情。

艾若曼，条件不错、奋斗自强、一路向前，事业成功，优秀而强大，有自己人生的目标和追求，都市独立新女性的杰出代表，却始终不受男性喜爱，还被前男友定性为没人敢爱。鹿飞，温柔随和、与人为善、随遇而安，只想做60分就好的普通人，热爱烹饪、打扫和花草的居家良品，异性缘甚佳，恋爱履历却神秘空白，更不敢靠近婚姻半步。他们两个，都是大都市中奋斗着的三十岁单身男女。他们不甘心在三十岁被判定为黄金岁月告罄，都在努力进化出更好的自己，拉开更好生命的时光。而他们相识的十五年，则是在兜兜转转之后，才认清彼此的友情，也是在进化出更好的自己后，才终于收获了属于自己的爱情。

电影《爱情进化论》不同于以往的爱情电影，它建立在生物学的基础上，区别于“心灵鸡汤”式的爱情指导，采用更诙谐幽默的方式，指导都市男女寻找到真爱多以“硬汉”形象示人的段奕宏，此次耍贱毒舌齐上阵，饰演一位智商170，情商80的“250”学霸“潘小哲”。《小时代》系列电影的大热，也让郭碧婷、谢依霖走入了大众的视线，此次二人再度携手依旧闺蜜情深。“妹花”郭碧婷告别了南湘的文艺气质，饰演一位求男若渴的职场女“安安”，为追求金马影帝戴立忍饰演的“黎夏”，不惜求助“男闺蜜”潘小哲采用生物学的方式展开追男大计。于是，一场新鲜又好笑的爱情喜剧就在三人间开展了起来。

电影《爱情进化论》不同于以往的爱情电影，它建立在生物学的基础上，区别于“心灵鸡汤”式的爱情指导，采用更诙谐幽默的方式，指导都市男女寻找到真爱多以“硬汉”形象示人的段奕宏，此次耍贱毒舌齐上阵，饰演一位智商170，情商80的“250”学霸“潘小哲”。《小时代》系列电影的大热，也让郭碧婷、谢依霖走入了大众的视线，此次二人再度携手依旧闺蜜情深。“妹花”郭碧婷告别了南湘的文艺气质，饰演一位求男若渴的职场女“安安”，为追求金马影帝戴立忍饰演的“黎夏”，不惜求助“男闺蜜”潘小哲采用生物学的方式展开追男大计。于是，一场新鲜又好笑的爱情喜剧就在三人间开展了起来。